Adorno, Theodor W. Aesthetic Theory, trans. Robert Hullot-Kentor. London: Athlone, 1999.
Adorno, Theodor W. Negative Dialectics, trans. E. B. Ashton. New York: Seabury, 1973.
Agamben, Giorgio. Means Without End: Notes on Politics, trans. Vincenzo Binetti & Cesare Casarino. Minneapolis: Minnesota UP, 2000.
Agamben, Giorgio. Remnants of Auschwitz: The Witness & the Archive, trans. Daniel Heller-Roazen (New York: Zone, 1999).
Antelme, Robert. The Human Race, trans. Jeffrey Haight & Annie Mahler. Evanston: Northwestern UP, 1998.
Améry, Jean. At the Mind’s Limits, trans. Sidney Rosenfeld & Stella P. Rosenfeld. New York: Schocken, 1990.
Arasse, Daniel. Anselm Kiefer. London: Thames & Hudson, 2001.
Arendt, Hannah. Eichmann in Jerusalem. New York: Viking, 1968.
Avisar, Ilan. Screening the Holocaust: Cinema’s Images of the Unimaginable.
Bloomington: Indiana UP, 1988.
Baer, Ulrich. Spectral Evidence: The Photography of Trauma. London: MIT Press, 2002.
Barthes, Roland. Camera Lucida: Reflections on Photography, trans. Richard Howard. London: Vintage, 2000.
Bataille, Georges. The Accursed Share: An Essay on General Economy, trans. Robert Hurley. New York: Zone Books, 1991-1993.
Bauman, Zygmunt. Modernity & the Holocaust. Ithaca: Cornell UP, 2000.
Bauman, Zygmunt. “The Holocaust’s Life as a Ghost.” The Holocaust’s Ghost: Writings on Art, Politics, Law & Education. Eds. F.C. DeCoste & Bernard Schwartz. Edmonton: Alberta UP, 2000. 3-15.
Bauer, Yehuda. Rethinking the Holocaust. New Haven: Yale UP, 2001.
Belpoliti, Marco & Robert Gordon eds. The Voice of Memory: Primo Levi Interviews 1961 – 1987, trans. Robert Gordon. New York: New Press, 2001.
Boltanski, Luc. Distant Suffering: Morality, Media, and Politics. Cambridge: UP, 1999.
Borowski, Tadeusz. This Way for the Gas, Ladies & Gentlemen, trans. Barbara Vedder. Harmondsworth: Penguin, 1985.
Bronfen, Elisabeth. “Risky Resemblances: on Repetition, Mourning, & Representation.” Death & Representation. Eds. Sarah Webster Goodwin & Elisabeth Bronfen. London: John Hopkins UP, 1993.
Brumberg, Abraham. “What Poland Forgot: Shoah & the Scene of the Crime.” The New Republic. 45-48.g
Bruzzi, Stella. New Documentary: A Critical Introduction. London: Routledge, 2000.
Byg, Barton. Landscapes of Resistance: The German Films of Danièle Huillet & Jean-Marie Straub. Berkeley: California UP, 1995.
Caruth, Cathy, ed. Trauma: Explorations in Memory. Baltimore: John Hopkins UP, 1995.
Clendinnen, Inga. Reading the Holocaust. Cambridge: UP, 1999.
Cole, Tim. Selling the Holocaust: From Auschwitz to Schindler – How History is Bought, Packaged, & Sold. New York: Routledge, 2000.
Denby, David. “Out of Darkness.” New York Magazine (28 October 1985): 130.
Derrida, Jacques. Writing & Difference, trans. Alan Bass. Chicago: UP, 1978.
Doneson, Judith E. The Holocaust in American Film. Jerusalem: The Jewish Publication Society, 1987.
Drathen, Doris von. Vortex of Silence: Proposition for an Art Criticism Beyond Aesthetic Categories. Milano: Charta, 2004.
Eaglestone, Robert. The Holocaust & the Postmodern. Oxford: UP, 2008.
Eisenstein, Paul. Traumatic Encounters: Holocaust Representations and the Hegelian Subject. Albany: State University of New York P, 2003.
Fackenheim, Emil L. To Mend the World: Foundations of Post-Holocaust Thought. New York: Schocken, 1989.
Farmer, Sarah. Martyred Village: Commemorating the 1944 Massacre at Oradour-Sur-Glane. Berkeley: California UP, 2000.
Finkelstein, Norman. The Holocaust Industry: Reflections on the Exploitation of Jewish Suffering. 2nd Ed. London: Verso, 2003.
Freeman, Michael. “Is Limited Altruism Wrong?” Moral Philosophy and the Holocaust. Eds. Eve Garrard & Geoffrey Scarre. Aldershot: Ashgate, 2003. 137-53.
Furman, Nelly. “Languages of Pain in Shoah.” Auschwitz and After: Race, Culture, and “the Jewish Question” in France. Ed. Lawrence D. Kritzman. New York: Routledge, 1995.
Geras, Norman. The Contract of Mutual Indifference: Political Philosophy After the Holocaust. London: Verso, 1998.
Gilbert, Martin. Holocaust Journey: Travelling in Search of the Past. London: Weldenfeld & Nicolson, 1997.
Grenville, Bruce. “Death & the Time-Based Image.” Death & the Family. Ed. Karen Love. Vancouver: Presentation House Gallery, 1997. 23-31.
Grossman, David. See Under: Love, trans. Betsy Rosenberg. London: Vintage, 1999.
Haggith, Toby & Joanna Newman, Eds. Holocaust & the Moving Image: Representations in Film & Television Since 1933. London: Wallflower, 2005.
Hartman, Geoffrey. The Fateful Question of Culture. New York: Columbia UP, 1997.
Hartman, Geoffrey. The Longest Shadow: In the Aftermath of the Holocaust. New York: Palgrave, 1996.
Hedgecoe, John. Photographing Landscapes. London: Collins & Brown, 2000.
Hegarty, Paul. “Supposing the Impossibility of Silence and of Sound, Voice: Bataille, Agamben, and the Holocaust.” Politics, Metaphysics, and Death: Essays and Giorgio Agamben’s Homo Sacer. Ed. Andrew Norris. London: Duke UP, 2005. 222-247.
Hilberg, Raul. Perpetrators, Victims, Bystanders. New York: HarperCollins, 1992.
Hilberg, Raul. The Politics of Memory: Journey of a Holocaust Historian. Chicago: Ivan R. Dee, 1996.
Hilberg, Raul. Perpetrators, Victims, Bystanders. New York: Harper Collins, 1992.
Hilberg, Raul. Sources of Holocaust Research. Chicago: Ivan R. Dee, 1995.
Hirsch, Joshua. After Image: Film, Trauma, and the Holocaust. Philadelphia: Temple UP, 2004.
Hirsch, Marianne and Leo Spitzer. “Gendered Translations: Claude Lanzmann’s Shoah.” Gendering War Talk. Eds. Miriam Cooke & Angela Woolacott. Princeton: UP, 1993. 3-19.
Hornstein, Shelley and Florence Jacobowitz, eds. Image and Remembrance: Representation & the Holocaust. Bloomington: Indiana UP, 2003.
Insdorf, Annette. Indelible Shadows: Film and the Holocaust. New York: Vintage Books, 1983.
Jussim, Estelle and Elizabeth Lindquist-Cock. Landscape as Photograph. London: Yale UP, 1985.
Kagan, Joram. Poland’s Jewish Landmarks. New York: Hippocrene, 2001.
Klee, Ernst, Willi Dressen, & Volker Reiss, eds. “The Good Old Days” – The Holocaust as Seen by its Perpetrators & Bystanders. Old Saybrook: Konecky & Konecky, 1988.
LaCapra, Dominick. History & Memory After Auschwitz. Ithaca: Cornell UP, 1998.
Lang, Berel. Post-Holocaust: Interpretation, Misinterpretation, and the Claims of History. Indiana: UP, 2005.
Langer, Lawrence, ed. Art From the Ashes. New York: Oxford UP, 1995.
Langer, Lawrence. The Holocaust & the Literary Imagination. New Haven: Yale UP, 1975.
Lerner, Loren, ed. Afterimage: Evocations of the Holocaust in Contemporary Canadian Arts and Literature. Montreal: Concordia, UP, 2000.
Levi, Primo. The Drowned and the Saved, trans. Raymond Rosenthal. New York: Vintage International, 1989.
Liebman, Stuart. Claude Lanzmann’s Shoah: Key Essays. Oxford: UP, 2007.
Lyotard, Jean-François. The Inhuman: Reflections on Time, trans. Geoffrey Bennington and Rachel Bowlby. Cambridge: Polity, 1991.
Morley, Peter. Kitty – “Return to Auschwitz.” Holocaust and the Moving Image: Representations in Film and Television Since 1933. Eds. Toby Haggith & Joanna Newman. London: Wallflower, 2005. (154-160)
Nancy, Jean-Luc. The Ground of the Image, trans. Jeff Fort. New York: Fordham UP, 2005.
Nelson, Robert. S & Margaret Olin, eds. Monuments & Memory: Made & Unmade. Chicago: UP, 2003.
Norris, Andrew, ed. Politics, Metaphysics, and Death: Essays on Giorgio Agamben’s Homo Sacer. London: Duke UP, 2005.
Novick, Peter. The Holocaust in American Life. Boston: Mariner, 2000.
Osiel, Mark. “Constructing Memory with Legal Blueprints.” The Holocaust’s Ghost: Writings on Art, Politics, Law & Education. Eds. F.C. DeCoste & Bernard Schwartz. Edmonton: Alberta UP, 2000. 411-430.
Raczymow, Henri and Alan Astro. “Memory Shot Through with Holes.” Yale French Studies, No. 85, Discourses of Jewish Identity in Twentieth-Century France (1994), 98-105.
Rancière, Jacques. Film Fables, trans. Emiliano Battista. Oxford: Berg, 2006.
Rancière, Jacques. The Future of the Image, trans. Gregory Elliott. London: Verso, 2007.
Rancière, Jacques. The Politics of Aesthetics: The Distribution of the Sensible, trans. Gabriel Rockhill. New York: Continuum, 2006.
Rosenbaum, Ron. “Claude Lanzmann and the War Against the Question Why.” Explaining Hitler: The Search for the Origins of his Evil. New York: Harper Perennial, 1999. 251-266.
Rosenfeld, Alvin H., ed. Thinking About the Holocaust: After Half a Century. Bloomington: Indiana UP, 1997.
Roth, Philip. Operation Shylock: A Confession. New York: Vintage, 1994.
Rubenstein, Richard L. The Cunning of History. New York: Harper & Row, 1975.
Rudolf, Anthony. Wine from Two Glasses. London: Adam Archive, 1991.
Sandlos, Karyn and Mike Hoolboom, eds. Landscapes With Shipwreck: First Person Cinema & the Films of Philip Hoffman. Toronto: Insomniac, 2001.
Schama, Simon. Landscape & Memory. London: HarperCollins, 1995.
Shandler, Jeffrey. While America Watches: Televising the Holocaust. New York: Oxford UP, 1999.
Sebald, W.G. The Emigrants. London: Harvill, 1996.
Semin, Didier, et al. Christian Boltanski: Contemporary Art Monographs. London: Phaidon, 1997.
Sontag, Susan. Regarding the Pain of Others. London: Penguin, 2003.
Steiner, George. Language & Silence: Essays 1958-1966. Boston: Faber & Faber, 1985.
Steiner, George. The Portage to San Cristobal of A.H. London: Faber & Faber, 1981.
Stone, Dan. Constructing the Holocaust: A Study in Historiography. London: Valentine Mitchell, 2003.
Struk, Janina. Photographing the Holocaust: Interpreting the Evidence. London: I.B. Tauris, 2004.
Vice, Sue. Holocaust Fiction. London: Routledge, 2000.
Weissman, Gary. Fantasies of Witnessing: Postwar Efforts to Experience the Holocaust. Ithaca: Cornell UP, 2004.
Young, James E. “Memory & Counter-Memory: Toward a Social Aesthetics of Holocaust Memorials.” The Holocaust’s Ghost: Writings on Art, Politics, Law & Education. Eds. F.C. DeCoste & Bernard Schwartz. Edmonton: Alberta UP, 2000. 165-178.
Young, James E. The Texture of Memory: Holocaust Memorials & Meaning. New Haven: Yale UP, 1993.